劉士君,男,1960年4月出生于沈陽市鐵西區。自幼愛好書法,潛心修習行、草書,吸取眾家所長,形成自己獨特風格。多次獲得全球全國書法各項大獎。
現為中國書法家協會會員,國家一級書法師。被中國文聯授予“德藝雙馨藝術家”稱號,中國互聯網聯盟藝術總監,中國人民藝術網客座教授。
劉士君作品
2016年全國春聯書法大賽入選國展。
2016年中國書畫500強榮獲特等獎。
2016年12月,世界書畫家協會中國東北書畫會舉辦的紀念毛澤東誕辰一百二十三周年書畫展,榮獲金獎。
2016年國際武術書畫大賽一等獎。
2017年4月,八一之歌中國書畫名家作品大賽榮獲金獎,特授予“共和國紅色藝術家”榮譽稱號。
2017年6月,“鐵血軍魂,榮耀90載”全國書畫名家作品大賽榮獲金獎,特授予“中國當代杰出書畫藝術家”榮譽稱號。
劉士君作品
2018年8月,“盛世東方”紀念毛澤東誕辰125周年全國書畫名家作品大賽榮獲金獎。
2018年9月,全國第十八屆“廬山杯”詩書畫大賽榮獲銀獎。
2018年11月,全國首屆“瑞士弗蘭卡杯”四條幅書畫展榮獲特殊金獎。
2019年5月,全國第七屆“中國夢想杯”榮獲金獎,并投予“書畫中國夢優秀藝術家”榮譽稱號。
2019年9月,全國第十九屆“廬山杯”書畫大賽榮獲金獎,并被投子“獻禮新中國70華誕優秀書西工作者”榮譽稱號。
劉士君作品
Liu Shijun, male, was born in April 1960 in Tiexi District, Shenyang City. Since childhood, he likes calligraphy, concentrates on practice, cursive script, draws on the best of others, and forms his own unique style. He has won numerous national awards for calligraphy worldwide.
He is now a member of the Chinese Calligraphers Association and a national first-class calligrapher. He was awarded the title of "Shuangxin Artist of Germany and Art" by China Federation of Literary and Art Circles, artistic director of China Internet Alliance, guest professor of China People's Art Network.
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The 2016 National Spring Festival Calligraphy Competition was selected for the National Exhibition.
In 2016, the top 500 Chinese calligraphy and painting won the special prize.
In December 2016, the Painting and Calligraphy Exhibition commemorating the 123rd anniversary of Mao Zedong's birth held by the World Association of Calligraphy and Painting, China Northeast Painting and Calligraphy Association won the gold medal.
The first prize of the 2016 International Wushu Painting and Calligraphy Competition.
n April 2017, Bayi Song won the gold medal in the Chinese Painting and Calligraphy Masters Competition, and was awarded the honorary title of "Red Artist of the Republic".
In June 2017, the "Soul of the Iron-Blooded Army, 90 Years of Glory" won the gold medal in the National Calligraphy and Painting Masters Competition, and was awarded the honorary title of "Outstanding Contemporary Chinese Painting and Calligraphy Artist".
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In August 2018, "Sheng Shi Dongfang" won the gold medal in the National Calligraphy and Painting Competition to commemorate the 125th anniversary of Mao Zedong's birth.
In September 2018, the 18th National "Lushan Cup" Poetry, Calligraphy and Painting Competition won the silver medal.
n November 2018, the first four-frame painting and calligraphy exhibition of the Swiss Franca Cup won the special gold medal.
In May 2019, the 7th National "China Dream Cup" won the gold medal and was awarded the honorary title of "Outstanding Artist of Chinese Dream of Painting and Calligraphy".
In September 2019, the 19th National "Lushan Cup" Painting and Calligraphy Competition won the gold medal and was voted for the honorary title of "Outstanding Calligraphers for the 70th Birthday of New China".
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不廢碑功謂雄才 大家功成續傳奇——記著名書法家劉士君
Don't waste the tablet, that is to say, great talent, everyone's success, and continue the legend-a record of the famous calligrapher Liu Shijun
仰觀著名書法家劉士君的諸體書法作品,諸書皆成,諸書皆有深功。書法所成,碑質鮮明,勁道十足,力挽千鈞,明顯是精修碑學的筆墨所得;氣質飄逸,神彩飛揚,動感十足,是其書法精臨帖學所成。
Looking back at the calligraphy works of Liu Shijun, a famous calligrapher, all the books are completed and all the books have deep achievements. Calligraphy, with distinct tablet quality, full of vigor and strength, is obviously the result of intensive calligraphy; Elegant temperament, colorful flying, and dynamic, which is made by his calligraphy.
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清未書法大家康有為論書法,言之碑學之修,有論:不事碑學,不成碑功,不可談書法。所以康有為書法極其重視碑學修養,讓他成為一代碑功大師。劉士君書法,在當前書風普遍羸弱,媚柔過度的俗弊里,一改正風不振,扭捏作態的書法流行,用碑學為書法立骨成威嚴,揮筆如縱斧,凌空劈紙寫堅韌,筆墨得筋骨,立于書壇敬仰,大道之旗飄飄弘主流。劉士君書法探源甲骨金石,琢磨漢隸十碑,縱橫魏碑南北的碑學全面之功,讓他的書法形態一掃書壇柔媚之風,病勢可除。劉士君以正宗的碑學修養,成為康有為碑學書論的實踐者與發揚者,功成傳統,力撐主流,功成卓著,不廢碑功,可謂書法雄才。
Kang Youwei, a master of calligraphy in Qing Dynasty, talks about calligraphy, and talks about the study of stele. There is a theory: if you don't study stele, you can't make a monument, and you can't talk about calligraphy. Therefore, Kang Youwei attached great importance to the cultivation of tablet science in calligraphy, and made him a generation of tablet masters. Liu Shijun's calligraphy, among the common disadvantages of the current weak style of calligraphy and excessive flattery, corrects the weakness of the style of calligraphy, makes calligraphy stand erect with stele study, makes calligraphy dignified, wields a pen like a vertical axe, splits paper in a volley to write tenacity, gains bones and muscles with pen and ink, stands in the admiration of the book circle, and the flag of the avenue flutters in the mainstream. Liu Shijun's calligraphy explores the origin of Oracle bone and stone, ponders the ten steles in han li, and makes his calligraphy form sweep away the gentle and charming style in the book circle, and his illness can be eliminated. Liu Shijun has become a practitioner and promoter of Kang Youwei's calligraphy theory on stele with his authentic cultivation. He has made great achievements in tradition, supported the mainstream, and won't waste his stele work, so he can be described as a brilliant calligrapher.
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劉士君書法的正宗品質,一是修煉所得,二是悟道所歸。所說修煉,是指劉士君書法不走捷徑,在碑學功力深達的同時,又切意帖學臨摹。他臨習唐楷,柳、顏、歐三家法度,一并汲取融會貫通,形成了堅實的真書基礎。端正嚴謹,一筆一畫皆得來源,結體章法全是根本。除了臨習唐楷法度,劉士君行書則以師二王帖學為宗,他精觀蘭亭序、圣教序、中秋帖,把二王書法的自由、爽達、神逸之法臨成自己的專技大能,依嫻熟續寫神通,行書功力績近先賢,功近圣美。
The authentic quality of Liu Shijun's calligraphy is obtained from cultivation and from enlightenment. Practice means that Liu Shijun's calligraphy doesn't take shortcuts, and at the same time, he is eager to learn to copy. He studied Tang Kai, Liu, Yan and Europe, and absorbed them together, forming a solid foundation of authentic books. Straightforward and rigorous, every stroke and painting has its source, and its composition is all fundamental. In addition to studying Tang Kai's testimonies, Liu Shijun's running script is based on learning from the second king's calligraphy. He carefully observes Lanting Preface, Holy Preface and Mid-Autumn Post, and puts the freedom, coolness and ease of the second king's calligraphy into his own special skills and abilities. He continues to write magical powers according to his skill, and his running script skills are close to the sages, and his achievements are close to the holy beauty.
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所說悟道,是指劉士君修煉書法,不是只付筆墨的辛勤實踐,還是一位精通書法法道的研究者。從實踐層面來觀,他臨池洗墨深湖一色,執筆磨禿積堆如山,付出了大量的時光和精力修煉書法,經歷數十年的書法實踐,扎牢了筆墨的實績功底。
Enlightenment refers to Liu Shijun's practice of practicing calligraphy, not only paying attention to pen and ink, but also being a researcher who is proficient in calligraphy. From a practical point of view, he washed the ink in the pool, brushed and piled up mountains, devoted a lot of time and energy to practicing calligraphy, and experienced decades of calligraphy practice, which firmly established the practical foundation of pen and ink.
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就理論層面來論,他對書法的源起、傳續、開拓之路之理之道之法,全悉有悟,是一位書法論道家研究者,所以他是一位寫透書法碑帖的行者,也是一位悟透書理的智者。智者核心,恰是文人品質,他的書法修養依實踐得實功,依文化得機理,具有鮮明的文人風尚。所謂蘭亭修禊曲水流觴的書法情景,還有文士興會遺世神馳的書法意境,一貫而入筆墨,融成文化況味,信手抒發一氣呵成,佳品可就。
On the theoretical level, he knows all about the origin, transmission and development of calligraphy, and is a Taoist researcher on calligraphy, so he is a walker who writes calligraphy inscriptions thoroughly and a wise man who understands calligraphy thoroughly. The core of a wise man lies in the quality of literati. His calligraphy accomplishment is based on practice and cultural mechanism, and has a distinct literati fashion. The so-called calligraphy scene of Lanting's mending and curving, as well as the artistic conception of calligraphy, which has always been filled with ink and ink, melted into a cultural flavor, and expressed in one go.
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不廢碑功謂雄才,大家功成續傳奇。筆馳如奔雷墜石,墨飛如鴻飛獸駭,他成佳作必是鸞舞蛇驚,萬象騰騰。劉士君用帖碑雙修的功力,合以美的法則,建構成書法的形姿和意境,形意趨美,美不勝收。大家之功,修煉得成!
If you don't waste your tablet, you will be a great talent, and everyone will continue to be a legend. Pen galloping like thunder falling into stone, ink flying like flying beast, his masterpiece must be Luan dancing snake, and everything is filled with excitement. Liu Shijun used the skill of double-repairing the tablet and combined with the law of beauty to construct the form and artistic conception of calligraphy, which was beautiful and beautiful. Everyone's work, practice!
著名書畫評論家 史峰 2018年6月27日
Famous painting and calligraphy critic Shi Feng June 27, 2018
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