魏相君,于1943年12月出生于甘肅靖遠,祖籍在河北省泊頭市。從少年起,小相君便酷愛書畫藝術(shù)。他從西北師范大學(xué)畢業(yè)后,開始擔任老師,逐漸成長為中共黨員,高級講師。創(chuàng)建了白銀市建工學(xué)校,后改為白銀市工業(yè)學(xué)校任校長18年,國家一級美術(shù)師,中國楹聯(lián)學(xué)會書法藝術(shù)研究會會員、省書協(xié)會員、中國互聯(lián)網(wǎng)聯(lián)盟理事、白銀市銅城書畫院、老科協(xié)書畫院、白銀市蘭風書畫院、副院長等職務(wù)。
Wei Xiangjun, born in December 1943 in Jingyuan, Gansu Province, was born in Botou City, Hebei Province. Since he was a teenager, Xiao Xiangjun was fond of calligraphy and painting. After graduating from Northwest Normal University, he began to serve as a teacher and gradually grew into a member of the CPC and a senior lecturer. He founded Baiyin Jiangong school and later changed to Baiyin Industrial school. He has been the principal for 18 years. He is a national first-class artist, a member of the Calligraphy Art Research Association of China couplet Association, a member of the provincial Calligraphy Association, a director of the China Internet Alliance, a member of the Tongcheng calligraphy and Painting Institute of Baiyin, the calligraphy and Painting Institute of the old Association for science and technology, Baiyin Lanfeng calligraphy and Painting Institute, and vice president.
砥柱中流 48x180厘米
曾在中書協(xié)培訓(xùn)中心(北京),甘肅省書協(xié)書法高研班(蘭州)學(xué)習(xí)和進修過的他,在退休后,2005年-2008年里,擔任西北師大田家炳書院的美術(shù)與書法老師三年。還以副主編的身份參編過《書法教程》作為高等學(xué)校文科教材出版發(fā)行。
He had studied and studied in the training center of Chinese Calligraphy Association (Beijing) and the advanced research class of Gansu Calligraphy Association (Lanzhou). After retirement, he served as an art and calligraphy teacher in tianjiabing Academy of Northwest Normal University for three years from 2005 to 2008. He also participated in the compilation of calligraphy course as an associate editor in chief and published it as a liberal arts textbook in Colleges and universities.
篆書扇面 “金石樂 ”34x68厘米
王羲之曾說:“一點所失,若美人失一目。一畫之失,如壯士失一肱。不可不慎”。此話亦可用于人身上,即使有再高的社會地位,品德為世人所恥,亦為失一目也。書法,誠然,可以體現(xiàn)一人獨特的藝術(shù)氣息和獨有的品質(zhì)。
Wang Xizhi once said, "if a little is lost, it is like a beauty who loses a sight.". The loss of a painting is like the loss of a strong man's arm. Don't be careless. This can also be applied to people. No matter how high the social status is, the moral character is shamed by the world, and it is also a loss of sight. Calligraphy, of course, can reflect a person's unique artistic atmosphere and unique quality.
臨池不輟筆飛舞,俯首甘做陶朱公。對于當代著名書法家魏相君來說,這無疑是最好的人生評價,也展現(xiàn)了他的一生。
Linchi keeps writing and dancing, bowing to be the Duke of Tao Zhu. For Wei Xiangjun, a famous contemporary calligrapher, this is undoubtedly the best evaluation of his life and also shows his life.
游目騁懷 50x50厘米
人生在勤,不索何獲。作為一名著名書法家,魏相君多年來,臨池不輟,楷行草篆皆修,尤為擅于行書。是以“二王”為宗脈,還兼蓄了顏真卿、米芾等行書和吳昌碩臨石鼓文篆書之意趣于里。力求典雅古樸雄渾稚拙之風。他是位物理老師,但執(zhí)教40年里利用假期和業(yè)余時間,潛心鉆研,刻苦勵練! 靜心沉浸在書法的世界里。一邊勤練書法,一邊甘愿化為春泥滋潤花朵。終于,長風破浪會有時,直掛云帆濟滄海,他的書法在藝術(shù)節(jié)大放異彩,甚至還被海內(nèi)外多家博物館收藏。
Life is not what you get. As a famous calligrapher, Wei Xiangjun has been practicing regular script, running grass and seal script in linchi for many years. He is especially good at running script. It takes the "two kings" as the lineage, and also has the interest of Yan Zhenqing, Mi Fu and other running script and Wu Changshuo's stone drum seal script. Strive for elegant, simple, vigorous and naive style. He is a physics teacher, but in his 40 years of teaching, he has spent his holidays and spare time studying hard and practicing hard. He is immersed in the world of calligraphy. At the same time, he is willing to turn into spring mud to moisten flowers. Finally, the wind and waves will sometimes, straight cloud sail Jicang sea, his calligraphy in the art festival shine brilliantly, even has been collected by many museums at home and abroad.
中國夢 136x68厘米
就在今年1月8日至1月10日期間,以“向公益踐行者致敬”為主題的2020國際中國公益事業(yè)大典暨“我和我的祖國”公益成果演示展播,在北京中央廣播電視總臺·星光影視基地舉行。這是由世紀采風與國內(nèi)多家媒體聯(lián)合發(fā)起的,這個大典作為國內(nèi)公益事業(yè)領(lǐng)域一個年度行業(yè)性的大盛會以及跨領(lǐng)域的合作交流的平臺,有200多名慈善家,政府人員,資深媒體新聞人,公益慈善明星以及公益企業(yè)接到邀請,來參加這次的盛典。它揭曉了2019年度國際中國公益慈善領(lǐng)域的獎項。其中,書法家魏相君榮獲國際中國公益“最佳藝術(shù)家公益踐行獎”的殊榮。
From January 8 to January 10 of this year, the 2020 International China public welfare ceremony with the theme of "saluting the public welfare practitioners" and the demonstration exhibition of the public welfare achievements of "I and my motherland" were held at the Xingguang film and television base of Beijing Central Radio and television. It is jointly sponsored by century Caifeng and many domestic media. As an annual industry grand event and a platform for cross domain cooperation and exchange in the field of public welfare, more than 200 philanthropists, government personnel, senior media journalists, philanthropic stars and public welfare enterprises have been invited to participate in the ceremony. It announced the awards in the field of international Chinese charity in 2019. Among them, the calligrapher Wei Xiangjun won the international Chinese public welfare "best artist public welfare practice Award".
元稹《菊花》詩 34x136厘米
在其獲獎感言中,提到說,藝乃無止境也。中國書法博大精深,靈動飄逸,蘊含讓人心曠神怡的氣韻。他說,自己知道還有許多欠缺的地方和不足之處,在日后的藝術(shù)發(fā)展道路上,會繼續(xù)加倍努力,更為謙虛的像各位老師,同仁及朋友學(xué)習(xí)的,爭取再攀高峰。
In his acceptance speech, he said that art is endless. Chinese calligraphy is broad and profound, flexible and elegant, and contains a refreshing atmosphere. He said that he knows that there are still many deficiencies and deficiencies. In the future, he will continue to redouble his efforts and be more modest in learning from teachers, colleagues and friends to strive for another peak.
毛澤東七律.和柳亞子 180x48厘米
在當時的筆會現(xiàn)場,魏老師揮毫潑墨,其書法,或斂束而相抱,或婆娑而四垂,或上下而參差,又或落擇而自披。在筆間,即可見其氣勢磅礴,筆力之雄健。在飛云流動之處,咋見精神的展露;墨色浮于紙上時,見其氣骨的凝結(jié)。真可為其妙哉呀!簡而言之,魏老師的書法, 筆墨雍容,且安靜肅穆,形式與內(nèi)容亦相得益彰,不禁竟惹得陣陣贊嘆。
At the scene of the pen meeting at that time, Mr. Wei waved and splashed ink, and his calligraphy was either folded and hugged, or whirled and hung, or staggered up and down, or put on by himself. In the pen room, you can see its magnificent momentum and vigorous writing power. In the place where the flying clouds flow, see the spirit show; When the ink color floats on the paper, it can be seen that the air bone condenses. How wonderful it is! In short, Mr. Wei's calligraphy is graceful, quiet and solemn, and its form and content complement each other, which can not help but arouse bursts of admiration.
毛澤東清平樂會昌 48x180厘米
魏相君作品
劉禹錫陋室銘 48x180厘米
毛澤東詩“送瘟神 ”其二 180x48厘米
王冕 墨梅 34x136厘米
毛澤東沁園春雪四條屏 136x34cmx4
篆書條幅“以古為徒” 180x48厘米
魏相君作品
不忘初心 50x50厘米
魏相君作品